Alexia Menec, Charles-Hippolyte Chatelard, Giulia Caterina Verga, Kaat Volckaert, Manon Vanel, and Vittorio Degli Innocenti are joining Alessandro Pontara, Géry Leloutre, Hubert Lionnez, Jean Garcin, and Matthieu Delatte in a renewed cooperative.
Maintaining modern architecture and the values it embodied is no easy task in Brussels. Modernism has left a lasting impression here, ending its formal aspects to a violent transformation of the city that has been referred to since the end of the 1960s as ‘Brussellisation’1. Throughout the last quarter of the twentieth century, the focus was on ‘repairing’ the ‘damaged’ parts of the capital.